On View Now Archives - Chazen Museum of Art https://chazen.wisc.edu/exhibition-status/on-view-now/ Wed, 09 Sep 2026 13:20:08 +0000 en-US hourly 1 https://wordpress.org/?v=7.1.1 Recollection: Exhibiting the Collection https://chazen.wisc.edu/exhibitions/recollection-exhibiting-the-collection/ Tue, 26 May 2026 18:51:00 +0000 https://chazen.wisc.edu/?post_type=chazen_exhibition&p=8278 The Elvehjem Art Center (now the Chazen Museum of Art) opened in 1970 with a collection of less than 5,000 objects and a temporary exhibition […]

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The Elvehjem Art Center (now the Chazen Museum of Art) opened in 1970 with a collection of less than 5,000 objects and a temporary exhibition that brought together artworks already donated to the university alongside works lent by alumni and friends. In the decades since, thirty of those loaned pieces have entered the Chazen’s collection, which has expanded to more than 25,000 works.

The Chazen has long presented a rotating schedule of temporary exhibitions alongside displays drawn from its permanent collection. In celebration of the Chazen’s newly reinstalled collection galleries, which you can visit on the third floor, Recollection: Exhibiting the Collection explores the lively, ongoing conversation between the museum’s collection and its exhibition program.

The collection serves as a vital and generative resource for curators by sparking new exhibition ideas and forming the foundation of many temporary exhibitions. Some shows have been inspired by, or drawn entirely from, the museum’s holdings. In other cases, artworks lent by artists or private collectors for temporary exhibitions proved so compelling that they later joined the collection as purchases or gifts.

In its first two sections, Recollection: Exhibiting the Collection spotlights artworks acquired directly from past exhibitions, and works already in the collection that played pivotal roles in the conception of them. The final section recreates two influential exhibitions from the museum’s past that have left a lasting imprint on the Chazen’s collection and identity.

 

Above: Xinping Su (Chinese, b. Mongolia 1960), Busy People No. 1, 2010, oil on linen, 98 7/16 x 98 7/16 in., Colonel Rex W. and Maxine Schuster Radsch Endowment fund purchase, 2015.8

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Pressing Issues: Printmaking as Social Justice in 1930s US https://chazen.wisc.edu/exhibitions/pressing-issues-printmaking-as-social-justice-in-1930s-us/ Tue, 21 Apr 2026 17:53:20 +0000 https://chazen.wisc.edu/?post_type=chazen_exhibition&p=8179 During the Great Depression, visual artists in the United States were put to work through the relief efforts of the New Deal to provide a […]

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During the Great Depression, visual artists in the United States were put to work through the relief efforts of the New Deal to provide a living wage and to bolster the spirits of the American public. Many used the opportunity to portray everyday life in the United States through images of modern and rural landscapes, leisure activities, and industrial growth, while others directed attention to economic toil and key social issues. Pressing Issues brings together work by artists who, through their art, produced radical critical commentaries on the social injustices plaguing the country in their time.

Curated by Kathryn Koca Polite, organized by the Krannert Art Museum, University of Illinois Urbana-Champaign. Sponsored in part by Illinois’ College of Fine and Applied Arts, the International Fine Print Dealers Association, and the Wyeth Foundation for American Art.

Support at the Chazen provided in part by the Anonymous Fund.

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