Open daily. Always free.
Tall elevator grille made of dark metal strips arranged in an open framework grid of intersecting circles and lines. An intricate, copper-colored T-shaped panel is mounted in the center above a matching solid kick plate.

Elevator Enclosure Grille, from the Chicago Stock Exchange, 30 North LaSalle Street, Chicago, Illinois

On View

Not currently on view

Dankmar Adler and Louis Henri Sullivan

The Chicago architectural firm of Adler and Sullivan designed some of the most important and innovative early skyscrapers in the Midwest. While Dankmar Adler specialized in engineering, Louis Sullivan specialized in design. The Chicago Stock Exchange building, for which they designed this elevator grille, was the highlight of their partnership. Sullivan believed that form should follow function and his designs were inspired by the prairie – like the stylized seed pods seen here. Elevators were a recent invention and traveling vertically was a new experience. Sullivan designed his elevator grilles, the metal cages surrounding the elevator car and shaft, to be seen while walking through corridors as well as experienced while rapidly moving from floor to floor. Sullivan was a mentor to many influential Chicago architects of the Prairie School, including Frank Lloyd Wright and George Elmslie.
Artist
Dankmar Adler and Louis Henri Sullivan
(American, b. Denmark, 1844-1900) (American, 1856-1924)
Title
Elevator Enclosure Grille, from the Chicago Stock Exchange, 30 North LaSalle Street, Chicago, Illinois
Date
1893-1894
Medium
Cast iron, wrought iron, and copper alloy
Dimensions
73 3/4 x 41 x 1 in. Overall
Credit
Gift of the Museum of Modern Art
Accession No.
1974.95.3
Classification
Architectural Decoration
Geography
United States

Related

1962, removed from the Chicago Stock Exchange; 1962, gifted by Kenneth Newberger and Carroll Sudler (Chicago, IL) to the Museum of Modern Art (New York, NY); 1974, gifted by the Museum of Modern Art (distributed through the University of Illinois at Chicago Circle) to the Elvehjem Art Center [now called Chazen Museum of Art]

This tall, vertically oriented rectangular elevator grille is made of dark metal strips arranged in an open framework that creates a geometric pattern of intersecting lines and open spaces. The design consists of repeating circular motifs organized in a grid that spans the entire frame. The circles are evenly spaced and aligned both horizontally and vertically, producing a uniform, symmetrical layout. Each column contains large, open circles bisected by two straight rods running vertically through their centers. Within each circle is a stylized “X” shape formed by four short diagonal arms tipped with small metal spheres. Decorative, spool-shaped segments connect the columns horizontally at the intersections. The overall effect is an airy grid of curves and straight lines punctuated by small dots. Mounted at the center of the grille is a solid, copper-brown metal panel shaped like the capital letter “T.” Distinct from the dark grid, it features a dense, textured web of interlaced geometric and curvilinear lines, oval forms, and lattice-like patterns. At the bottom, a solid rectangular kick plate spans the full width of the grille. The copper-brown metal plate displays a smooth, unadorned surface bordered by a line of small circles. A thin metal frame encloses the grille.

The Chazen Museum of Art welcomes comments or inquiries about works in our collection. Please allow two–three weeks for a response. Chazen staff is not able to provide valuations or authentications and such inquiries cannot be answered.

"*" indicates required fields

This field is for validation purposes and should be left unchanged.
Name*