Open daily. Always free.
Diana

Diana

On View

Not currently on view

Kenyon Cox

At a time when new artistic styles were emerging, the American painter Kenyon Cox was a strong defender of the academic tradition, rooted in classical study and modes of expression. Trained at the Pennsylvania Academy of the Fine Arts in Philadephia and at the École des Beaux-Arts in Paris, Cox also traveled and studied in Italy, where he immersed himself in the work of Renaissance masters. Believing that art should function as a unifying social force, he criticized the modern styles of his day for their increased reliance on individual expression. Cox is best known for his large-scale works for public buildings. The Wisconsin State Capitol building has two works by Cox, a glass mosaic in the dome and a triptych oil painting in the Senate chamber. This small painting of Diana, the Roman goddess of the hunt, and of nature, fertility, and childbirth, is classical both in theme and in style. Cox was known for skilled and careful compositions, qualities that are evident in this highly idealized and naturalistic depiction. The carefully rendered lines of Diana’s form stand out against the indistinct natural landscape of the background. She holds a long bow and quiver and wears a crescent moon on her head, all her symbols, or attributes. In ancient Greek art, she is known as the goddess Artemis, and is depicted on Greek vases in the museum’s collection on view in Brittingham Gallery I.
Artist
Kenyon Cox
(American, 1856 - 1919)
Title
Diana
Date
n.d.
Medium
Oil on canvas
Dimensions
30 x 18 1/8 in. Overall
Credit
Gift in memory of Harold G. Laun
Accession No.
1995.45
Classification
Paintings
Geography
United States

Related

October 1995, gifted by Mrs. Margaret Laun Knauf (Elkhart Lake, WI) to the Elvehjem Museum of Art [now called Chazen Museum of Art]

  • Elvehjem Museum of Art. "Bulletin/Biennial Report 1995-1997." Madison: Elvehjem Museum of Art, 1998. p. 112
  • Werbel, Amy. "John Haberle's A Bachelor's Drawer: Censorship, Geologic Time, and Truth." Metropolitan Museum Journal, vol. 55 (2020): 43-59. p. 50, fig. 8

The Chazen Museum of Art welcomes comments or inquiries about works in our collection. Please allow two–three weeks for a response. Chazen staff is not able to provide valuations or authentications and such inquiries cannot be answered.

"*" indicates required fields

Name*
This field is for validation purposes and should be left unchanged.