Women Examining Paintings

Women Examining Paintings

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Not currently on view

Hosoda Eishi

In Edo period Japan (1603–1867), unlike in contemporaneous China, women were portrayed reading poetry or appreciating artworks more often than men. One reason is that bijinga, or “pictures of beautiful women,” were ubiquitous among the artworks produced at the time, which were referred to as ukiyo-e, “pictures of the floating world.” Another reason is that the women depicted were usually well-educated courtesans, as shown in this print. Courtesans were expected to demonstrate their artistic talent and connoisseurship as a way of attracting clients. Courtesans were often both beautiful and talented; they enjoyed a respected celebrity status and a degree of independence. An artistic lifestyle was thus regarded as one of the crucial indications of ideal womanhood, although only a small percentage of the female population was literate, and women were excluded from the guilds of professional painters.- Chi-Lynn Lin, "Echoing Overseas" label text, Fall 2022
Artist
Hosoda Eishi
(Japanese, 1756 - 1829)
Title
Women Examining Paintings
Date
1790-1795
Medium
Color woodcut
Dimensions
385 x 234 mm Overall
Credit
Bequest of John H. Van Vleck
Accession No.
1980.654
Classification
Prints
Geography
Japan

Related

12 March 1919, purchased from F.W. Hunter Sale (No. 176) through Lucy F. Brown (New York, NY) by Edward Burr Van Vleck (Madison, WI); 1943, passed through inheritance to Edward’s son, John H. Van Vleck (Cambridge, MA); 9 January 1980, bequeathed by John H. Van Vleck to the Elvehjem Museum of Art [now called Chazen Museum of Art]

  • Elvehjem Museum of Art. "The Edward Burr Van Vleck Collection of Japanese Prints." Madison: Elvehjem Museum of Art, 1990. p. 10

  • Echoing Overseas: Asian Artistic Exchange: Chazen Museum of Art, 8/8/2022–11/28/2022
  • Japanese Masterworks: Woodblock Prints from the Chazen Museum of Art Collection: Chazen Museum of Art, 5/6/2016–8/14/2016

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