Open by reservation. Always free.

ExhibitionMartha Glowacki’s Natural History, Observations and Reflections

Mar 3–May 14, 2017

catalog cover for glowackie exhibition

Martha Glowacki’s Natural History, Observations and Reflections presents sculpture and installations that concern human observation and description of the natural world. In this exhibition, Glowacki is particularly interested in the history of science and scientific illustration.

The exhibition is divided into four parts. A cabinet of curiosities, titled What Every Woman Ought to Know, has drawers filled with objects and etched images that draw from nineteenth-century books on women’s deportment. A second group of artworks references the history of plant collecting and physiology. This area includes three metal laboratory tables with tableaus of tools and constructed plant forms inspired by eigtheenth century records of experiments to determine whether plants grow towards the light. Another area of the exhibition is an installation inspired by the nineteenth-century French physiologist Étienne Jules Marey, who developed a gun camera and sensitive recording devices to analyze the physical aspects of human and animal movement. Glowacki’s installation imagines a scene from Marey’s laboratory. In the fourth part of the exhibit viewers can look at a group of hanging objects through a camera obscura and experience two different types of mirror illusions.

Glowacki incorporates scientific illustration and writing in several ways, ranging from direct appropriation of images, to using images and ideas from the history of science as a bridge to developing visual metaphors. On one hand, she is drawn to the visual richness of many scientific illustrations, to the qualities of the paper and print techniques used to make them. She is also fascinated by the unexpected ways that many of these illustrations combine beauty with morbidity, or by their odd juxtapositions of text with inscrutable processes.

Glowacki’s intent with this exhibition is to introduce a wider audience to the rich history of scientific illustration, and to open a dialogue about intersections between scientific illustration and visual art. Of equal importance, she wants to create a sense of wonder about the beauty and complexity of the natural world and to remind people about the joys of learning and observation.