An alumna and professor emeritus of UW-Madison, Freida High is an artist and historian specializing in feminist theory and critical race theory.
Audrey Handler was one of the first female students in the Glass Lab at the University of Wisconsin where she studied with the founder of the studio glass movement, Harvey Littleton.
Through portraiture, still life, and landscape, Amsterdam-based artist Hannah van Bart explores the relationship between abstraction and figuration as a subjective one.
Every other Wednesday evening, the Chazen hosts Our Kind of Happy Hour on Facebook Live. Guests include local artists and community members involved in the arts.
In conjunction with the Community Altar Project, the Chazen is hosting a window installation called Crossings: Remembrance and Celebration, on view in both the bridge gallery and the second-floor windows facing East Campus Mall.
Active primarily as a painter in Edo (present-day Tokyo) during the early decades of the nineteenth century, Kitagawa Fujimaro favored scenes featuring two or three figures in outdoor settings.
This new accession by artist Santiago Cucullu has a title as colorful as the image itself: Tatted Up Redhead Holding the Head of My Enemy at the Barricade Down the Street.
In her compelling and unsettling collages, Deborah Roberts explores the ways in which society’s idealized and discriminatory conceptions of beauty shape “African American” identity.
Manon Cleary is remembered for her prolific output of painstakingly photo-realistic paintings and drawings addressing themes of the human body and sexuality, including her own.
This print, Juchitecas Platicando (Juchitecán Women Talking), depicts three statuesque women from the city of Juchiteca in the state of Oaxaca in southeastern Mexico.