Although he was born in Seattle as a third-generation American, Roger Shimomura spent two years of his childhood in an internment camp for Japanese Americans in Idaho during World War II.
Throughout his career, Dubuffet’s work changed dramatically from period to period, as he experimented with atypical materials and techniques.
Here we're highlighting two works by UW–Madison alumnus John Hughes who earned an MFA at UW–Madison in 1992.
Today we're featuring Two Men (Study for The Funding Bill), a preliminary study for a much larger painting entitled The Funding Bill—Portrait of Two Men that artist Eastman Johnson completed in 1881.
Dogo the Kidnapper is an early work by Twins Seven-Seven, the father of Yorùbá modernism.
Ceramic artist Mara Superior’s porcelain sculpture reflects the artist’s engagement with the history of Western art. This piece is inspired by the Venus of Urbino, an iconic work by the Italian Renaissance painter Titian.
Artist Dean Byington creates intricate landscapes based on the graphic language of nineteenth-century illustrated books.
This work was fired in an anagama kiln—an ancient type of kiln that originated in China. The anagama kiln uses wood as a heat source, rather than the typical electric or gas kilns that contemporary ceramicists often use.
Today we’re taking a peek at three pieces by Japanese Conceptual artist Kenji Nakahashi. In both Difference in Time and Time (B), the artist arranged and photographed clocks to make a statement on the subjective experience of time.
It is part of the Chazen Museum of Art’s mission to give UW–Madison students opportunities to learn about careers in the museum field. Students provide […]